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Getting through that middle, making it all make sense, getting to where it all holds together, THAT is hard. And that is where so many people stumble and fall.
— Taylor
This week’s show opens with one of my favorite show beginnings ever, thanks to a listener who took the time to use our words from TSS072, How Important is the Title to the Success of Your Book, and put them together as book titles. We spend the first few minutes of the show laughing our way through those and offer our sincere thanks to David for the amazing creativity it took to put the titles together.
Our topic this week is started out as finding and fixing plot holes, but quickly evolved into a lesson on fixing story problems. Things that crop up from poorly understood character motivations, timelines and in a specific example, an antagonist that isn’t quite bad enough to drive a story.
In our call to action, Taylor wants to know how you define plot holes or plot problems? If you have a definition please let us know in either the comments or by calling the hotline (check the connect button above for the number.)
Thanks so much for joining us again this week.
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Now that Taylor’s new book is with her agent she’s turned her attention to titles. We discuss how the title for THE INFORMATIONIST came to be and how that title influenced the rest of the Vanessa Michael Munroe series.
Then we get into current thriller titles and how certain words become popular in titles for a period of time, including the popularity of the word “girl” in right now. The success of books like The Girl with the Dragon Tattoo, The Girl on the Train and Gone Girl have influenced titles to the point where five of the top twenty thrillers on Amazon have the word “girl” in the title on the day we recorded this episode.
Today’s show focuses on connecting readers to characters, even those characters who, if considered in a vacuum, could be thought of as unlikeable by a large group of readers. Steve tries to use Taylor’s Vanessa Michael Munroe as an example, but Taylor resists, and instead trots out Hanibal Lector from Silence of the Lambs. Then we move on to creating dislike between the reader and a character, and then some thoughts on rehabilitating characters in the eyes of your readers.